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Bonesaw
Rating: 2 Stars
Produced by Jeremy Spencer. Written, photographed, and directed by Jett Blakk. Edited by Ann Igma. Music by S.E.A. Starring Bobby Williams, Jason Tiya, Mark Hansford, Kyle Lewis, Joey Milano, Brett Mathews, Ty Hudson, Brandon Irons, Rob Romoni, and Tina Tyler.
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A young man named Lee (Bobby Williams) wakes up on the floor of a sinister bathroom clad only in smudged briefs and an ankle bracelet that conducts remote-controlled electric shocks. His captor, a diabolical hooded figure in a silver face mask, dispenses orders via intercom and closed-circuit TV. He knows a lot about Lee. "We have many things in common," says the masked fiend. "Sex and games, for instance. In your honor, I've combined the two."

In an industrial space that evokes the movies Saw and Hostel, Lee is put through a series of tests combining sexual challenges with brain teasers such as "How many men are in a room if all but two are named Smith, all but two are named Jones, and all but two are named Rogers?" As one demented sequence gives way to another, characters are slashed, electrocuted, gassed, shot, or gutted with an electric saw. To get away with this kind of carnage in gay adult video, more wit is required than perpetrator Jett Blakk is able to inject. A sequence where Lee is told he can free a caged Brett Mathews by bringing him to orgasm in 15 minutes, but that if he fails, Mathews will be zapped with poison gas, is not much of a turn-on-- especially when the man in the cage doesn't come, and is left to die.

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he box cover suggests a sexual pairing of Bobby Williams with gorgeous Jason Tiya, who plays a cop, but no such scene takes place. Before one of them is murdered, Brandon Irons and Ty Hudson do have sex as though they really mean it; there's also a spirited three-way involving Williams, Kyle Lewis, and Joey Milano-- just before Lewis is shot and Milano is sawed down the middle. Rob Romoni and Tina Tyler appear in non-sexual roles: he as a psychic who may hold the key to what's happening, she as a murder victim in a well-staged, pointless prologue.