
August 2000 Cover
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By
Giacomo Tramontagna
Stonie and His Homeboys
Rating: 3 Stars
Produced and directed by Gary "Chris" McKay. Starring Stonie, Cory Douglas, Emon, and Rene Garcia.
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This scrappy little four-model enterprise grows tamer and more conventional as it goes along, but it's almost a textbook example of how to make the most of a small cast.
In Touch cover boy Stonie, a fusion of street punk
and millennial collegiate queer, turns up in three of the four segments. In the opening episode, he starts jerking off as he drives a stolen convertible through city streets, then pulls off the road to finish the job within sight of
passing cars. He later gets a second memorable solo and a pickup loop involving slender, bronze-bodied Emon, who has the delicate, patrician features of an Abyssinian aristocrat.
In the most remarkable sequence, the one that really taps into the erotic power of what L.A. Heat's press release calls "hot and horny young guys from the wrong side of the tracks," a prissy tourist
(director Gary "Chris" MacKay, from behind the subjective camera), tries to stop Latino gang member Rene Garcia from defacing a billboard. Garcia takes charge ("I got a knife"), marches the tourist back to his motel room,
and launches into a coercive exhibitionistic revel. When a skinny young desk clerk (Cory Douglas) comes by to investigate the situation, Garcia forces him to strip and suck his cock. Garcia, a charismatic guttersnipe
with bleached hair and Aztec features, is a find. There's lewd menace even in the way he chews gum.
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