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Justice
Rating: 3 Stars
Produced and directed by Steven Scarborough. Videography by Richard Board. Edited by Jim Wigler. Music by Rock Hard. Starring Shane Rollins, Kent North, Tony Mecelli, Marco Paris, Nick Piston, Robert Van Damme, Trevor Knight, Mike Roberts, Carlos Morales, Brad Star, Marc Williams, Ty Hudson, Nick Horn, Parker Williams, Duke Michaels, and Jordan Vaughan.
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Toby Conner (Shane Rollins), the apple of his late grandma's eye, is the last surviving member of his heartland family. He has moved to San Francisco, chasing dreams consistent with being a sensitive soul whose pale, shapely body bears come-hither tribal tattoos. One day he's walking along in a red hoodie when a similarly clad young man collides with him, then rushes off, leaving him holding a bag of fine white powder. A pursuing pair of cops mistakes Toby for the fleeing man.

Descending into the American justice system, Toby is worked over sexually by police, fellow prisoners, and his smelly-looking court-appointed lawyer (Ty Hudson). Found guilty of drug possession with intent to distribute, he's sentenced to four years in prison, where he winds up bunking with the dealer who framed him (Trevor Knight). Toby and his cellmate tussle fiercely, then segue into a wild flip-flop coupling session that pulses toward jubilant gushes of jizz. Still unable to prove his innocence, Toby serves his sentence until, after 18 months, he's granted parole-- contingent upon submission to a parole board gang-bang.

D

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irector (and probable scenarist) Steven Scarborough skillfully deploys his feisty cast. Standout performances include those of prison medical personnel Kent North and Carlos Morales, who rate a fist-and-dildo bonus loop. Rollins and Knight make an explosive pair. Appearing in six of the seven sex scenes in this two-disc epic, Shane Rollins is an uninhibited power bottom capable of instant versatility. In manner and appearance, he could pass for the love child of Marlon Brando and Wally Cox. The Toby character is a camp descendant of defiled maidens in Victorian melodrama, but Rollins makes the most of this role, displaying a range that runs from milk-and-cookies innocence to 150-proof lust. It's his best work since Raging Stallion's A Porn Star is Born (2003).